Kaitz Articles

The Walter Kaitz Foundation (WKF) is once again partnering with ABFF to help build and promote diversity in television and film by hosting its Hollywood Creative Forum MIAMI VIP Reception on Thursday, June 14, 2018.

Managing the AT&T-Time Warner Merger Registration Now Open for 32nd Annual NAMIC Conference A&E’s Women Tell Their Story, Raven returns as CEO

UCLA’s diversity report is subtitled, “Five Years of Progress and Missed Opportunities,” suggesting that America’s increasingly diverse audiences prefers diverse film and television content.

This intensive one-day workshop will provide attendees with insider fundamentals for creating memorable live-action VR experiences.

The Inaugural Kaitz Talks Carole Kirschner leads the audience in ways to use PR to engage your audience. Alberto Marzan, CEO of AfroLife TV discusses the rise of streaming services and how it is fostering new creative voices.   Who Runs the World The Hollywood Creative Forum 9.0 kicked off with a dynamic panel of women […]

While the staples of the event like the “Credentialed Meet & Greets” remain one of the highlights of the two-day experience, the Forum continues to grow and evolve each year.

Univision & Grupo Televisa Launches TV Pilot Initiative Aimed At Hispanic Audiences Univision Communications and Grupo Televisa are teaming on a TV pilot initiative for the development of scripted and unscripted series by global independent producers aimed at Hispanic audiences. Sundance 2018 at the epicenter of embracing conversations on diversity and inclusion The Sundance Film Festival’s tradition for boundary-pushing programming […]

The lab takes place mid-May through late – June of 2018. Each participant will complete an original pilot during the 5 week program and receive feedback from peers and the instructor.

The NAACP’s initial efforts centered on a “think tank” and symposium with industry experts held in 2016, as part of a series entitled, Pictures, Power, Progress: Pathways to Inclusion. 

What Marzan and his team learned when they started development of an over-the-top (OTT) service nearly three years ago, was that while there is a strong surge in multicultural consumption of streaming content, there is a lack of content options specific to these consumers.